2000 Pale Shellac Sealer Basecoat

2000 Pale Shellac Sealer Basecoat

250 ml €13.76 Currently unavailable.
500 ml €25.08 Currently unavailable.
1 Litre €31.96 Currently unavailable.
5 Litre €117.97 Currently unavailable.

250 ml

Sold out for now. No restock date is confirmed.

500 ml

Sold out for now. No restock date is confirmed.

1 Litre

Sold out for now. No restock date is confirmed.

5 Litre

Sold out for now. No restock date is confirmed.

Heritage recipes since 1884

Achieved by spiriting off, which removes the lubricant and brings up a mirror gloss.

Natural, sustainable resins

Apply 2-5 coats as required.

New layers melt into the old ones, so a scratch repairs with no visible join.

This is a pale coloured medium viscosity sealer which is easy to apply. It is suitable for light coloured substrates as a sealer under traditional French Polishes. It can be used as a basecoat for subsequent coats of French Polish. Most wood dyes and stains may be used prior to the application of this basecoat.

Suitable for

Antique restoration, fine instruments, traditional panelling and clocks.


Application and coverage

Available sizes
250 ml · 500 ml · 1 Litre · 5 Litre
1

Preparation

French polishing requires the highest level of surface prep. Wood must be sanded to at least 180 grit. Ensure the work area is warm and bone-dry: humidity will cause the shellac to "cloud".

Stain the wood first if a wood shade colour is required, using a Mylands Earth Stain, Nitrostain, wood dye or water stain.

2

Application

The traditional method

Apply using a "rubber" — cotton wool inside lint-free cotton. 1. Fadding: apply layers in the direction of the grain to seal. 2. Bodying: apply in circular motions to build the film, using a drop of raw linseed oil as a lubricant. 3. Spiriting off: use a rubber dampened only with methylated spirits, to remove the lubricant and achieve a mirror gloss.

The alternative

Use the 2000 Pale Shellac Sealer with a zorino mop, a very fine brush or a paint brush. Apply 2-5 coats as required.

If you are looking for a traditional antique finish, scuff the surface with fine wire wool two days after applying the final coat.

3

Aftercare & maintenance

Shellac is a delicate finish, susceptible to heat and alcohol damage. Always use coasters. Dust only with a soft, dry microfibre cloth. Scratches can be seamlessly repaired, as new layers melt into the old ones.

You may also need Raw linseed oil and a dry microfibre cloth.

General guidance. Always check the product label and test on an offcut or an inconspicuous area first - colour and absorption vary with the species, age and preparation of the timber.


Product data & safety sheets

Frequently asked questions

What is the difference between wax, polish, oil and varnish?

Oil penetrates deep into the timber: it nourishes and protects from within, brings out the grain, and can be repaired locally without stripping.

Wax protects at the surface and gives richness, depth and a soft lustre - light protection, to be renewed regularly.

Polishes restore an existing finish, from everyday furniture products through to traditional French polish.

Varnish forms a protective film on the surface with excellent resistance to moisture, stains and everyday wear: the choice for hard-working surfaces.

What is the difference between varnish and lacquer?

Both form a protective film, but they behave differently. Varnish builds a thicker, tougher coating that resists moisture and knocks: doors, worktops, heavily used furniture.

Lacquer lays down a thinner, fast-drying film that builds through successive coats into a smooth, refined finish. It excels on wooden floors, but suits doors, furniture and joinery too.

What finish should I use on my floor?

It depends on the look you want and the maintenance you will accept:

  • Hard wax oil - penetrates the timber, durable protection, natural low-sheen look, local repairs possible.
  • Floor lacquer - a clear water-based film for residential floors; the reinforced version suits commercial settings.
  • Traditional wax polish - the finest patina, but regular upkeep and limited water resistance.
What finish should I use on my kitchen worktop?

Hard wax oil is our first choice: it penetrates the timber and protects against water, stains and daily use while keeping the grain alive. Allow three to four thin coats, after staining if you are staining.

If you prefer a more closed, tougher film, a quick-dry kitchen and bathroom varnish does the job very well. Either way, treat the edges and the underside of the worktop to stop moisture creeping in.

Are your wood finishes suitable for professional work?

Yes - that is where they come from. Our oils, lacquers and varnishes are formulated for floors, joinery and fitted furniture, including commercial environments in the reinforced versions. Technical sheets are on the Product advice sheets page, and the trade area gives access to trade pricing.

How do I look after an oiled floor?

Vacuum or sweep regularly, and mop with a well-wrung cloth and a neutral product - never an aggressive detergent or a steam cleaner, both of which strip the film. A maintenance coat over the traffic areas, roughly once a year, keeps the protection up without going back to bare timber.

How do I revive a dull waxed piece of furniture?

Dust it, then work a maintenance polish or wax in with a soft cloth, in small amounts, following the grain. Leave it a few minutes, then buff. If the wax is dirty rather than dull, a light de-waxing before re-waxing will give far more back.

How often should the finish be renewed?

Entirely down to use. An oiled worktop wants attention every six to twelve months; an oiled floor, an annual maintenance coat over the traffic areas; a waxed piece of furniture, buffing two or three times a year. Varnished and lacquered surfaces last for years, then are redone in full when the time comes.

How should I store my wood care products?

Close them tightly, away from frost, heat and direct sun. Take care with oil-soaked rags: as they dry they can heat up spontaneously and catch fire. Spread them out flat to dry completely in the open air, or soak them in water before disposing of them.


140 years of craft in every pot of Mylands

140 years of craft in every pot of Mylands
It takes dedication, passion and generations of craft - but above all, it takes the finest natural ingredients…
That's how we create a paint that elevates any surface. Formulated with crushed Carrara marble and our water-based acrylic powder, our paints offer exceptional beauty with an eco-friendly, fully non-toxic finish.

The Finest Ingredients

Formulated with the highest pigment concentration on the market and the finest natural ingredients. Discover an impeccable finish and exceptional durability.

Deeper Colours

Our signature colours are packed with rich pigment for ever more captivating shades. Watch your space transform from a bright, airy feel by day to a warm, intimate atmosphere by night.

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We work exclusively with ethical suppliers. Every ingredient and pigment in our paint comes from responsible sources, free from exploitation.

Proudly Made in London

Our colours have been hand-made in England since 1884. Over 140 years of expertise go into every pot, offering a level of heritage and care that's truly unmatched.

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