01
1. The mahogany chest, French polished
A Georgian mahogany chest of drawers, brass handles, in a sitting room with dark walls. French Polish with a rubber, a warm medium brown, in three stages — bodying-in along the grain, bodying-up in circles with a drop of raw linseed oil, spiriting-off with methylated spirit — for the mirror shine. A warm, dry workshop.
02
2. The walnut desk, darker
A flat walnut desk, green leather top, in a library. Garnet Polish, the darkest shellac polish in the range, without the warm glow of Button Polish: its cold colour suits walnut you want sober. With a rubber or a brush, 2 to 5 coats; fine wire wool two days after for the antique look.
03
3. The faded mahogany table, revived
A mahogany table whose top has pinked in the sun, paler than the legs. Sanded to 180, degreased with Cellulose Thinners, it takes Nitrostain Red Mahogany with a cloth, quick strokes along the grain, a second pass where the wood is palest; then French Polish. The stain does not protect: the shellac does.
04
4. The walnut coffer, waxed
An old walnut coffer, mouldings worn, at the foot of a bed. Wax Antique Brown, a warm golden brown, applied sparingly with 0000 wire wool in small circles, left to haze, buffed along the grain; a second coat after 10 minutes. On mahogany, Wax Antique Mahogany, kept away from pale fabrics.
05
5. The walnut floor, oiled
A herringbone walnut floor in a hall. Hard Wax Oil Wenge deepens the brown and evens up the paler sapwood; two thin coats 24 hours apart over sanding to 120 to 150, walkable after 24 hours, hard in 7 to 10 days. Burnt Earth, redder, for a warm walnut.
06
6. The walnut worktop, in oil
A kitchen island with a solid walnut top, sink and chopping boards. Pure Tung Oil, resistant to heat, water, alcohol and acids, in three coats 12 to 18 hours apart, the excess wiped off after 20 minutes; a maintenance coat every 3 to 6 months, as soon as water stops beading. The walnut stays matt and deep.