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Mylands Colours Breathe Life Back into Historic Captain's House

3 min read
Mylands Colours Breathe Life Back into Historic Captain's House

When Stephen Sprake transformed Captain's House, his historic Chatham home, colour was integral to breathing life back into this listed Georgian building. Centring the scheme on Grey Ochre™ No.152 from the Greys & Neutrals Collection, Sprake layered in colour through imaginative detailing and his own antiques.

Captain's House, in the historic Chatham dockyard in Kent, is home to antiques dealer Stephen Sprake of Sans Pretention and his eclectic collections of furniture and decorative treasures. Over the past three years, Sprake has carefully and painstakingly restored the listed Georgian building to its former glory after decades of architecturally insensitive updates and neglect. Colour was integral to breathing life back into Captain's House.

Living room at Captain's House with Grey Ochre No.152 walls, Temple Bar No.70 woodwork and a Limestone No.55 ceiling, looking through a wide doorway to a second room beyond
The living room: Grey Ochre No.152 walls with Temple Bar No.70 woodwork, a Limestone No.55 ceiling and a bespoke colour on the doorframe

Stephen worked closely with Mylands to curate an elegant palette drawn from its celebrated Colours of London and Archive collections. Mylands was the natural choice, its expertise honed over 140 years crafting high-quality, richly pigmented paints at its Lambeth factory; the paints considerately revive the rooms, and the elegant result is testament to the timelessness of Mylands' palettes. Stephen chose pared-back greys and off-whites as a versatile backdrop for his constantly evolving collections, such as Archway House™ No.106, Grey Ochre™ No.152 and Limestone™ No.55, punctuated with confident shots of colour including London Brown™ No.287, Peach Flesh Pink™ No.268, Indian Lake™ No.288 and Sorrel Green™ No.207.

Dining room with Archway House No.106 walls, a frieze of fish plates below the cornice, a gilt mirror and a stained timber floor in a bespoke colour
Georgian front porch in Temple Bar No.70 with a deep teal front door in a bespoke colour, stone steps and railings against red brick
Left, the dining room in Archway House No.106 with a Limestone No.55 ceiling and bespoke colour on the floors and doorframe; right, the front porch in Temple Bar No.70 with a bespoke colour on the door

Stephen has brought contemporary flair to the historic house through paint, particularly the painted rug design in the master bedroom in layers of green, pink and red, as well as the vibrant Sorrel Green™ No.207 guest bath, and the unexpected Peach Flesh Pink™ No.268 shower hidden behind reclaimed château doors.

Guest bathroom with a roll-top bath painted in Sorrel Green No.207, Grey Ochre No.152 walls, a London Brown No.287 floor and a marble chimneypiece
The guest bathroom: a Sorrel Green No.207 bathtub and hearth against Grey Ochre No.152 walls, over a London Brown No.287 floor
Master bedroom corner with Grey Ochre No.152 walls, Belgravia No.6 woodwork and a painted floor design in Market Green No.38 and Indian Lake No.288
Shower cupboard behind reclaimed château doors, its interior painted in Peach Flesh Pink No.268 with a brass shower
Left, the master bedroom, its painted floor in Market Green No.38, Indian Lake No.288 and a bespoke colour, with Belgravia No.6 woodwork; right, the shower hidden behind reclaimed château doors, lined in Peach Flesh Pink No.268
Hallway with a glazed arched doorway in Market Green No.38 against Grey Ochre No.152 walls, over a bespoke-colour painted floor
Master bedroom with Grey Ochre No.152 walls, a stone chimneypiece hung with paintings and a floor painted in Market Green No.38 and Indian Lake No.288
Left, the hallway, its arched doorway in Market Green™ No.38 above a bespoke-colour floor, with the landing floor beyond in FTT-013 Dark Green; right, another view of the master bedroom

"The palette we've created for Captain's House not only reflects the age of the property but brings life and humour back to the building. Throughout this process we uncovered many amazing stories about the house; when clearing the attic we found a mummified cat, a lesser-known and long-forgotten Victorian good-luck charm. All these elements add to the bold colour of the building's history, which through our repair and restoration we wanted to reimagine through colour, texture and form." - Stephen Sprake on his colour choices.

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