Understanding north light in a kitchen
A north-facing kitchen never gets direct sun. Its light is reflected from the sky, hence bluish, and it is stable from dawn to dusk — the most honest light for cooking, and the coldest for a colour. Everything cool turns cooler there: pure whites grey, greys ice over, pale blues go out. Everything warm is brought back to its proper measure: a golden cream becomes a warm white, a yellow becomes a cream.
Two strategies
Warm the walls: a warm white or neutral — Lots Road No.24, Holbein Chamber No.7, Kensington Rose No.22, Cavendish Cream No.120, Hoxton Grey No.72 — on walls and ceiling, and cabinets in whatever colour you like. Commit to a deep colour on the cabinets — Sorrel Green No.207, Brompton Road No.205, Huguenot No.49 — which doesn't depend on sunshine and makes the pale walls brighter by contrast. The two strategies combine: it is even the formula of our most successful north-facing kitchens.
The colours to avoid
Pure white on the walls — except with plenty of warm artificial lighting. Cool, bluish greys — Sloane Square No.92, Mid Wedgwood No.113 — handsome facing south, sad facing north. Pale blues and bluish greens, which the cold light puts out. We detail all this in how light affects colour.
The finish
Walls in washable Marble Matt Emulsion; cabinets in Multi-Surface Eggshell or in satin for the hardest-worked — the slight sheen of the doors returns a little of the missing light. The detail is in which finish for kitchen cabinets?.
To go further: our 12 colours for kitchen cabinets, our 10 greens for a kitchen, our warm whites for a dark room and our kitchen ideas.