01
1. Soft neutrals that throw the light back
A warm grey-white on walls and ceiling, a stone barely deeper on the skirting: the base. No pure white; an earthy undertone that changes with the light.
Menu
How To
Design Advice
Customer Service
My account
Help with paint Choosing colour
Scandinavian style rests on three principles: the most light, the fewest objects, and the warmth of natural materials — and its paint follows: light neutrals with an earthy undertone, never a pure white, which throw the light back without hardening it, one accent drawn from nature on a door or a headboard, and matt everywhere. Six palettes, from off-whites to muted greens, with the materials that go with them.
Page updated September 2026 · by the Mylands France colour team
Understanding
Scandinavian style was born of a constraint: long, dark winters, where every ray counts. Hence its three principles — maximise light (large windows, few curtains, walls that return it), reduce (every object has a function), and warm through materials (pine, birch, wool, linen, sheepskin). Its minimalism is a comfort, not an austerity.
It is often summed up as "white everywhere". That is wrong: pure white, under northern light, turns blue-grey and chills. Scandinavian interiors use off-whites and light neutrals with a warm undertone — stone, clay, lime — which return as much light and shift gently through the day. And matt, always: Marble Matt Emulsion, whose crushed marble gives the chalky texture of a render, is the style's finish.
Six palettes
01
A warm grey-white on walls and ceiling, a stone barely deeper on the skirting: the base. No pure white; an earthy undertone that changes with the light.
02
In a north-facing room, a greige or a pale grey-green warms where white goes grey. Chosen for what it makes you feel, not for its whiteness.
03
The interior stays neutral; the colour goes on the outer face of a door, or on the wall behind the bed, out of the line of sight when lying down. A soft yellow-pink, a blue-grey.
04
A muted green or a grey-green on a piece of furniture, a window frame, a cupboard: nature comes in by small touches, in the neutrals' undertone. The folded colour card tells you whether the accent is from the same family.
05
The Scandinavian monochrome: three depths of one stone, the light on the ceiling, the mid on the walls, the deepest on the woodwork. Depth without one more colour.
06
A green-white on the walls, a stronger green on a wardrobe or a bed, pale wood: the Scandinavian nursery, calm and cheerful. Every Mylands paint complies with the EN 71-3 toy standard.
The whites
The Scandinavian white is chosen by aspect: warm to the north, cooler to the south. Six Mylands whites, all matt, with their undertone.
| White | Undertone | Aspect | With |
|---|---|---|---|
| Chalk Farm No.53 | Warm grey | North, east | Pine, undyed linen, wool |
| Holland Park No.5 | Warm, creamy | North | Oak, birch, natural leather |
| St Martins No.37 | Warm stone | North, west | Dark wood, grey wool |
| Elgin No.20 | Pale grey | South, west | Ash, polished concrete, black |
| Syon Park No.13 | Pale green | South | Plants, pale wood |
| Charterhouse No.4 | Cool, almost pure | South, very bright | The ceiling for all the others |
Ten off-whites compared, with their LRV: our guide. For a north-facing room: Warm whites for a dark room.
The materials
01
Light curtains or none, clear glazing, a mirror facing the window. The wall colour is chosen to return that light, not to decorate it.
02
Linen, bouclé wool, sheepskin, washed cotton, rush: the warmth comes from the materials, not the colours. A throw is worth a coloured wall.
03
Few pieces, light, in pale wood, on legs: the floor shows, the room breathes. No dark, massive furniture; if there is one piece, it becomes the accent.
To avoid
Frequently asked questions
There isn't one: to the north, a warm or warm-grey white (Chalk Farm, Holland Park); to the south, a cooler white (Elgin, Charterhouse). What is constant: matt, and no pure white.
Very well: the mouldings and old parquet are among its materials. Paint walls, cornices and ceiling in the same matt off-white, the woodwork one step deeper, and leave the parquet pale.
Yes, sparingly and in the neutrals' undertone: a muted green, a blue-grey, a peach pink on a door, a headboard, a piece of furniture. Never a vivid colour on four walls. See Bring nature indoors.
Marble Matt Emulsion on walls and ceilings, Multi-Surface Eggshell on woodwork and painted furniture, oil or wax on wood left natural — see Wood finishes preparation.
See also
“Scandinavian style is the light you keep and the things you do without.”
Thanks for signing up to our newsletter!
Sign in to save items to your wishlist. Sign in to save your basket, so you can continue shopping later.
Don't have an account? Create one
Share this link and friends can buy items from your list. Anything bought disappears from it automatically. Anyone with this link can see your selection.
Moving in, redecorating, or dropping hints? A free account turns this selection into a gift list — add or remove colours whenever you like, and we'll email you when someone buys something from your shared list.
Free · Delivered to your door
Get a free colour card posted to you, showing our complete Colours of London range, with swatches made from the real paint for a true representation of our award-winning colours.