Choosing a study colour
Think of the screen first. A white wall behind or facing a screen tires: it glares by contrast, and it throws lamp light back into the screen. A mid, matt colour — Museum No.151, Long Acre No.102, Uncle Maths BH.05 — reduces the contrast and rests the eye. That is why the most comfortable studies are rarely white.
Green to concentrate, blue to think, grey for everything. Mid greens (Damp Leaf BH.14, Sprig JB.06) are physiologically the most restful colours for the eye; blue-greys (Long Acre No.102, Oratory No.237) are associated with calm and reflection; grey-greens (Museum No.151) make the neutral ground you forget. Avoid bright reds and yellows, which stimulate — except as a small touch.
Light or deep?
A study used by day, with a good window, takes a deep colour colour-drenched — Oratory No.237, Brompton Road No.205, Blueprint No.50 — which makes it a room apart. A study set up in a corner or under the eaves stays more liveable in a light colour: Glass BH.09, Mews Blue No.98. In both cases, matt: Marble Matt Emulsion on the walls, Multi-Surface Dead Matt for a fully painted study, shelves included. See also our deep blues compared, warm grey or cool grey and our living-room ideas.