01
1. Midnight blue, on all four walls
A deep blue everywhere, ceiling included, in a dining room, a study or a bedroom: the room has no edge left. White linen, black-rimmed ceramics, a brass lamp so the light has somewhere to land.
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Blue is the colour that recedes: deep, it dissolves a room's corners and makes it bottomless; light, it soothes and enlarges; mid and greyed, it makes a neutral livelier than a grey. It loves wood, copper, linen and stone, which warm it; it fears pure white, which chills it. Seven ways to use it, from the midnight blue of a study to the sky blue of a bedroom, with the Mylands blues.
Page updated September 2026 · by the Mylands France colour team
Understanding
Of all the colours, blue is the one the eye places furthest away: a blue wall looks more distant than a red wall of the same depth. That recession is what gives it its two talents: deep on four walls, it erases the corners and gives a room the depth of a night; light, it pushes the walls back and enlarges. Its weakness is coldness — a blue with a hint of green or grey in a north-facing room can turn sad. The answer is in the materials: oak, walnut, copper, brass, undyed linen, stone and terracotta warm any blue.
The Mylands blues run from bluish white to midnight, most greyed with a touch of black or earth that makes them liveable; the vivid ones — Wedgwood, Ultramarine, Midnight — are in the FTT collection. The guides Blues for a bedroom, Deep blue: 8 colours compared and Teal and blue-green compare them one by one.
Seven ways
01
A deep blue everywhere, ceiling included, in a dining room, a study or a bedroom: the room has no edge left. White linen, black-rimmed ceramics, a brass lamp so the light has somewhere to land.
02
A mid blue on the largest wall of a bathroom or a kitchen, with copper, raw wood, slate or stone: the blue leans towards the sea, the material towards the earth, and the room is calm.
03
A pale blue on the walls of a bedroom or a sitting room, woodwork in a bluish white: the room opens. In a low room, the alcoves in a pale blue different from the chimney breast's create vertical blocks that lift the ceiling.
04
The back of a dresser, kitchen cabinets in Satin, a window frame in a blue deeper than the open-plan kitchen's: blue gives structure to a lively room and relief to whatever is set against it.
05
Three blues of one family on walls, ceiling and woodwork, then a confident green on a door or a stool: the slight clash wakes the whole. The darkest blue in the darkest corner, the lightest where the light falls.
06
In a tall room, a deep blue on the ceiling above neutral walls: the room becomes intimate, and under a rooflight or skylight the blue ceiling continues the sky. See Cloud capping.
07
Pick up the darkest blue of a wallpaper or a curtain on the skirting and the picture rail, and run it to the far wall of the next room: blue links the rooms together.
The Mylands blues
| Blue | Character | For | The white that goes with it |
|---|---|---|---|
| Greenwich Time No.8 | Bluish white | Ceilings and woodwork for every blue | — |
| Walpole No.42 | Very pale, grey blue | Bedrooms, south-facing rooms | Greenwich Time No.8 |
| Morning Blue No.32 | Morning sky blue | Bedrooms, bathrooms, ceilings | Greenwich Time No.8 |
| Lambeth Walk No.210 | Powdery, warm blue | Children's rooms, corridors | St Clement No.11 |
| Bedford Square No.229 | Greyed sky blue | Sitting rooms, bedrooms, kitchens | Greenwich Time No.8 |
| Bridge Blue No.222 | Mid blue-green | Bathrooms, kitchens | St James No.40 |
| Boathouse No.33 | Clear mid blue | Furniture, doors, stairs | Saint Johns No.64 |
| Maritime No.236 | Deep blue-grey | Studies, libraries | St Clement No.11 |
| Mayfair Dark No.218 | Slate blue | Ceilings, doors, bedrooms | Whitehall No.9 |
| Observatory No.34 | Midnight blue | Dining rooms, studies, drenches | Greenwich Time No.8 |
Deeper still: Proper Blue No.67, Blueprint No.50, Bond Street No.219. Vivid: Wedgwood, Midnight, Ultramarine Blue (FTT).
To avoid
Frequently asked questions
A light or mid blue, greyed — Morning Blue, Walpole, Bedford Square — to soothe; or a midnight blue on all four walls for a cocoon bedroom. The comparisons are in Blues for a bedroom.
Yes, if you choose a blue with a warm hint — Lambeth Walk, Bedford Square — and warm it with wood and brass. A verdigris or very grey blue will turn sad there. See A north-facing bedroom.
A bluish white — Greenwich Time No.8 — to stay in the family, or a warm white — Whitehall No.9 — for a soft contrast. Never a pure white, which looks blue beside a blue and chills.
Yes, they are neighbours on the wheel: a mid blue on the walls, a deep green on the woodwork, or a confident green as an accent in a room of blues. Blue-green — Bridge Blue, Burlington — bridges the two.
Marble Matt Emulsion on the walls, so the pigment speaks without reflection: a satin midnight blue looks lighter and flat. On a door, Eggshell; on a front door, Gloss. A dark-blue tinted primer gives full density in two coats.
See also
“Blue is the only colour that opens a room the darker it gets.”
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